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Arthur C. Clarke, a writer whose seamless blend of scientific expertise and poetic imagination helped usher in the space age, died early Wednesday in Colombo, Sri Lanka, where he had lived since 1956. He was 90. Skip to next paragraph
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Arthur C. Clarke last year at his home in Colombo, Sri Lanka. He moved to Sri Lanka in 1956. More Photos » Multimedia Slide Show
Arthur C. ClarkeRohan de Silva, an aide, confirmed the death and said Mr. Clarke had been experiencing breathing problems, The Associated Press reported. He had suffered from post-polio syndrome for the last two decades. The author of almost 100 books, Mr. Clarke was an ardent promoter of the idea that humanity’s destiny lay beyond the confines of Earth. It was a vision served most vividly by “2001: A Space Odyssey,” the classic 1968 science-fiction film he created with the director Stanley Kubrick and the novel of the same title that he wrote as part of the project. His work was also prophetic: his detailed forecast of telecommunications satellites in 1945 came more than a decade before the first orbital rocket flight. Other early advocates of a space program argued that it would pay for itself by jump-starting new technology. Mr. Clarke set his sights higher. Borrowing a phrase from William James, he suggested that exploring the solar system could serve as the “moral equivalent of war,” giving an outlet to energies that might otherwise lead to nuclear holocaust. Mr. Clarke’s influence on public attitudes toward space was acknowledged by American astronauts and Russian cosmonauts, by scientists like the astronomer Carl Sagan and by movie and television producers. Gene Roddenberry credited Mr. Clarke’s writings with giving him courage to pursue his “Star Trek” project in the face of indifference, even ridicule, from television executives. In his later years, after settling in Ceylon (now Sri Lanka), Mr. Clarke continued to bask in worldwide acclaim as both a scientific sage and the pre-eminent science fiction writer of the 20th century. In 1998, he was knighted by Queen Elizabeth II. Mr. Clarke played down his success in foretelling a globe-spanning network of communications satellites. “No one can predict the future,” he always maintained. But as a science fiction writer he couldn’t resist drawing up timelines for what he called “possible futures.” Far from displaying uncanny prescience, these conjectures mainly demonstrated his lifelong, and often disappointed, optimism about the peaceful uses of technology from his calculation in 1945 that atomic-fueled rockets could be no more than 20 years away to his conviction in 1999 that “clean, safe power” from “cold fusion” would be commercially available in the first years of the new millennium. Popularizer of Science Mr. Clarke was well aware of the importance of his role as science spokesman to the general population: “Most technological achievements were preceded by people writing and imagining them,” he noted. “I’m sure we would not have had men on the Moon,” he added, if it had not been for H. G. Wells and Jules Verne. “I’m rather proud of the fact that I know several astronauts who became astronauts through reading my books.” Arthur Charles Clarke was born on Dec. 16, 1917, in the seaside town of Minehead, Somerset, England. His father was a farmer; his mother a post office telegrapher. The eldest of four children, he was educated as a scholarship student at a secondary school in the nearby town of Taunton. He remembered a number of incidents in early childhood that awakened his scientific imagination: exploratory rambles along the Somerset shoreline, with its “wonderland of rock pools”; a card from a pack of cigarettes that his father showed him, with a picture of a dinosaur; the gift of a Meccano set, a British construction toy similar to American Erector Sets. He also spent time, he said, “mapping the moon” through a telescope he constructed himself out of “a cardboard tube and a couple of lenses.” But the formative event of his childhood was his discovery, at age 13 the year his father died of a copy of Astounding Stories of Super-Science, then the leading American science fiction magazine. He found its mix of boyish adventure and far-out (sometimes bogus) science intoxicating. While still in school, he joined the newly formed British Interplanetary Society, a small band of sci-fi enthusiasts who held the controversial view that space travel was not only possible but could be achieved in the not-so-distant future. In 1937, a year after he moved to London to take a civil service job, he began writing his first science fiction novel, a story of the far, far future that was later published as “Against the Fall of Night” (1953). Mr. Clarke spent World War II as an officer in the Royal Air Force. In 1943 he was assigned to work with a team of American scientist-engineers who had developed the first radar-controlled system for landing airplanes in bad weather. That experience led to Mr. Clarke’s only non-science fiction novel, “Glide Path” (1963). More important, it led in 1945 to a technical paper, published in the British journal Wireless World, establishing the feasibility of artificial satellites as relay stations for Earth-based communications.
Luxury-leather-goods designer Bill Amberg talks fashion, fitness and styleLast updated at 18:11pm on 7th March 2008
![]() Bill Amberg: 'Every man should have a good pair of party trousers for sipping Martinis' The luxury-leather-goods designer on fashion, fitness and style
Men shouldn't be hung up about carrying a "man bag". We've all been carrying satchels and briefcases for decades. At the end of the day, I want to take my camera, a book, my iPod and my phone everywhere I go. So I need a bag that I can sling over my shoulder. It's not all cowhide. I use camel skin in a lot of my new products. I also use fish skin, from rays, in a lot of my bags.
Next time you eat skate, just think: I might have had that fish's scales and turned it into a wallet. A man needs a good wallet. They improve with age, because they're constantly in your pocket or bag and the leather is always being rubbed, giving it a character unique to you. I can't wear trainers because my feet stink. It's a shame because I love them. I tend to wear Ludwig Reiter shoes ? they're desert boots with no toecaps that are just about as close to a trainer as you can get. Everything looks good in quality leather. I've decked out £100 million yachts in leather, covered cars in leather ? I've even made a leather telephone. My style icon is, rather predictably, Steve McQueen. And like Steve I'm passionate about being seen in the right car. I drive an old Zagato-bodied Lancia Flavia from 1965. I'm a firm believer in the fact that you've got to be seen in it ? there's no point keeping it pristine in a garage. Get in and drive the thing. I wear a lot of vintage clothing. You can get some fantastic second-hand shoes if you're brave enough to get over the fact that someone's stinky feet have been in there. I love running around fields with an air rifle. I spent most of my youth stalking rabbits in the garden. Now I keep fit just by being an outdoor person. I've got a place in Somerset where I love to walk, cycle and dive. I've started using Japanese tailors. I used to have all my suits made in Savile Row, but now I'm reliant on Icho suits. I'm tall and a peculiar shape, so nothing fits me and I have to get everything tailored. My favourite fashion store is Beams in Tokyo. It's a really eclectic shop and they're always picking up on new ideas. I nearly cried when my wife threw out my old pair of Dr Martens boots. I'd had this pair of 16-hole oxblood DMs since I was 17, and we'd had some adventures together. I'm not into grooming at all ? I steal my wife's moisturiser but that's it. I just slap it on after a shave. I don't do cologne or aftershave either. It's just not me. A lot of my clothes tend to be practical. When I'm holed up for a week or more in my workshop building a bookcase or a tree house, I'm not thinking about style. Every man should have a good pair of party trousers for sipping Martinis in. Mine are bright green. They're very cool. Casually sipping a cocktail is a good look for me. My parents had a cocktail every day at 6pm, and I'm seriously into blending my own drinks ? I make a fantastic White Lady.
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